Then, came another concert of Aruna, as part of 'Smrutha Dhvani', to raise funds for supporting retiring accompanying artists. It was not a performance in 'kutcheri' format but a beautiful rendering of some great songs in different Indian languages. Aruna understands the lyrics, connects with the composer's feeling with sensitivity and sings the composition with dedication and in an utmost uninhibited manner. She touches a chord in the deep recess of your heart.
- Essaying of Amirthavarshini was like listening to the முதல் மழை of the monsoon falling on the trees, rivers, and on the parched earth! Her accompaniments as usual had such coordination and understanding with her that every song evoked distinct feelings and emotions. If it was the undulating expanse of sand and the gently swaying camels that came to your mind with 'Vaishnav Janato', it was Ganga in all her splendour who nourishes the millions of this land for countless years called to you when she sang Kabir's 'Suno, suno'.
Kabir's 'suno, suno', she sang to the accompaniment of tabla, pakhawaj more than the others and it was a total bliss. The sufi essence of bhakti slowly pulled me into it that tears filled my eyes. She sang one sloka on Devi, A Gregorian chant, a Bharati song on Allah and Gurbani all as one item. It was not merely nivel but again touching because of her dedication and soulful singing.
It was the complete package that appealed to the aesthetic sense. The stage set up with the background pictures on the screen behind the artists just enhanced the beauty of the programme and enriched the listening experience.
If one feels I am lavish in my praise and may be exaggerating, each one is entitled to his/her view. I came back from the programme charged afresh that I sat down to write this after a long period of inaction.